I am a coordinator for film programs and film festivals. I work closely with programmers, curators and directors to produce both contemporary and historical film events.
Locating right holders and screening material for movie theaters, film festivals and museums is my passion and job. It involves asking around, communicating with associates around the world, and sometimes a bit of detective work to establish contacts for untraceable movies.
Movies are made to be seen on a screen. I can help you make it happen!
References
04/24: The first shift program coordination for Diagonale ‘24 a film historc view on mogration workers from ex-Jugoslavia and Turky
09-10/23: NOLAN ANALOG at Gartenbaukino, the first complete analogue retrospective of Christopher Nolan's directorial work in Austria!
09/23: I returned to work with SLASH FF on the retrospective ANIMALS! ATTACK!
03/23: 27th Diagonale the last edition under 8 year directors Peter Schernhuber & Sebastian Höglinger
11/22: David Cronenberg retropective in Vienna: “the way Cronenberg deftly allows us to identify with his monstrous creation” (LA Times)
10/22: 70mm delights: Yippee-ki-yay, Motherf***er | Die Hard
07/22: David Bowie on Film retrospective @ Gartenbaukino, Vienna
02-04/22: Viva Venezia! The invention of Venice in the 19th century at BELVEDERE & 21er Haus
09/19: /♥ Female Terror @ SLASSH FF
09/18: /♥ Udo Kier @ SLASSH FF:
more …
Current projects…
let me know if you’re interested in one of the already prepared double features:
Marketa Lazarova (1967) & Woman in the Dunes (1964)
The Legend of Kaspar Hauser (2012) & A Girl Walks Home Alone at Night (2014)
Price range
Looking for someone checking on rights holder in a special territory? How about some print scouting for 16mm, 35mm or 70 mm? Or in need of material logistics for a bunch of films?
I am the right person to get on board.
Also, I think movies are made to be seen, and sharing information is caring about making that happen. I am always happy to help if the question is small and the answer ist simple.
For bigger projects, let’s talk (German, English) and I can provide a well informed estimate. The cost will depend on how challenging your intended program will be to assemble.
Gladly I have learned some tweaks and perks I am happy to let you benefit from.
Prices:
Research per hour includes searching for sources, making inquiries with other industry contacts, collectors, and combing through archives for either screening material and/or rightholder(s). Reduced prices are possible in a cooperative contract.
Program finalization per film includes negotiating screening or material fees.
Print traffic per film includes logistics management, communication and handling customs.
DCP management per film includes handling of (encrypted) material from beginning till it is on the screen.